Rachel sat gazing into the mirror. She was meant to be getting ready
for her act, the burlesque number for all those drunk, leery old men out
there. Her crown sat on the dressing table, ready to perch in her
hairspray-stiff bouffant. She was Queen of tack. She looked out on her
sad subjects from the secret carnage of her heart, and smiled.
In
the films, of course, there would be someone to rescue her. A loaded
Richard Gere type, ostensibly life-hardened, but with a deep, pulsing
love for the real her, under the burlesque outfit and beyond the
graffitied-on smile. He would be willing to brave all kinds of dangers –
pimps, punters and her flat-mate Carolyn with P.M.T, just to find her
and whisk her away. Such was his purpose in life.
The trouble is,
she thought, she wasn’t sure that there was a real her, any more. She
looked into the prism of her memories and saw a refracted nothing. A
trick of the light. Her present was only fallout from the past.
But
there was the red box. There wasn’t much in it, after a year of saving,
but it was something. And, of course, what was hidden in the secret
compartment: the letter, emanating its dangerous scent beneath the
layers of velvet.
And still she gazed, pensive, frozen, staring
into the ghost of her eyes until her vision blurred, merged, a myriad of
dancing light, the shadows of angels.
“Oi, Rachel babe! You’re on!”
The copyright of this post belongs to Alison Stickings 19.9.13.
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