Sorry you hapless cretin,
Conjure yourself a new tent. You don't need my old teepee in order to move on. I'm fed up with your unctuous arguments of self-defence, your missing commas (did you think I wouldn't notice?) your cards with the heads all unseen in your pockets. Even your shadow wants nothing to do with you. Take the wild and worn heart of you and fuck off into a ploughed field; Go where the smoke will rise from the stubble and purify you. You have made an igloo out of the capricious coldness of your heart. Light a fire for God's sake. Forget the whale. Let him boom boom in the murky depths. Let his whale heart be cut out and worn to the sweet beating of the doldrums.
Even if I were to divulge the location of the tent, you'd not find it. Its coordinates would baffle a man like you; the rose-finch upon your shoulder, forever nibbling your lace collar, would distract yuou long before you found the chink that leads the way. And I'm not talking inscrutable random Easterners either. You say nothing is delicious: Light a fire on the parapet. Toast yourself a sweet feast to tell the time by: meringues at seven, praline brittle at 9.30 and marshmallow fingers at four.
Be dauntless Sorry, if you can. Melt the snow-queen in your jasmine heart, sweeten your sour breath with parma violets. Ah you have me.
The tent is in the piutched field in a landscape where rain links the Church, the mill, and the stream. Be good Sorry, for now you have it all
Your vey own Muff
Thursday, 25 October 2012
The Complete Unseen Letters of Muff and Sorry #1
Dearest Muff,
I'll come straight to the point: Where is the tent? (tails you win) The sky hangs heavy with unshed snow and I am growing increasingly anxious about the whale. It seems to me that the known world is being distorted in unknown ways, and nothing about this is delicious. If I could find the tent, crawl in beneath the weight of the white, I am sure I could devise a plan that would get us out of this mess. The whale lives so far below the frequencies of love and collusion, he has no truck with our private delights masquerading as work. He knows the secret of death's gift, that once life's gone there's no retrieving it. Oh we can plan to cut it into ever thinner slices, but it is still itself, entire, a life shot through with randomness: the taut arrow about to fly from the bow, a child choking on a peanut, the bruised yellow jellies lined up on the banquet table in front of the sea. Just because you cannot recall their names does not mean these things don't exist.
I'm sorry to harp on about it Muff but, you must see, if I could find the tent, erect it in this wilderness, we'd all have a slender chance (heads I lose). The world quickens Muff. Still the whale calls, its song pure lament. Still the sea moves in distress. Write now dear heart and tell me please where oh where is the fucking tent?
In hopefulness and in equal despair
I remain ever your
Sorry
The copyright of this post belongs to Claire Steele
I'll come straight to the point: Where is the tent? (tails you win) The sky hangs heavy with unshed snow and I am growing increasingly anxious about the whale. It seems to me that the known world is being distorted in unknown ways, and nothing about this is delicious. If I could find the tent, crawl in beneath the weight of the white, I am sure I could devise a plan that would get us out of this mess. The whale lives so far below the frequencies of love and collusion, he has no truck with our private delights masquerading as work. He knows the secret of death's gift, that once life's gone there's no retrieving it. Oh we can plan to cut it into ever thinner slices, but it is still itself, entire, a life shot through with randomness: the taut arrow about to fly from the bow, a child choking on a peanut, the bruised yellow jellies lined up on the banquet table in front of the sea. Just because you cannot recall their names does not mean these things don't exist.
I'm sorry to harp on about it Muff but, you must see, if I could find the tent, erect it in this wilderness, we'd all have a slender chance (heads I lose). The world quickens Muff. Still the whale calls, its song pure lament. Still the sea moves in distress. Write now dear heart and tell me please where oh where is the fucking tent?
In hopefulness and in equal despair
I remain ever your
Sorry
The copyright of this post belongs to Claire Steele
Friday, 19 October 2012
Izzy's Paradise
It begins for most people at the filigree gates, portal to a different
paradise. Step through peeling iron sentinels to find a garden of
primal beauty. Wilderness, untouched by trowel, stippled with sunlight,
has spread flora for acres. Something pricks Izzy’s foot. Swearing
softly in this hallowed place, she bends to take communion with the
mossy underfoot. Examining the unfamiliar thorn, she reflects on her
purpose for venturing further into the cathedral of venerable trees.
The sun is inviting, comforting, seducing her with promises of lazy
stupor. She tilts her face upwards, her closed eyelids showing a
stippled map of fine red tracings, a treasure map to her inner secrets.
The copyright of this post belongs to Lynn Hillston
The copyright of this post belongs to Lynn Hillston
Whatever happened to the Dog?
What happened to the Dog?
What happened to the dog - he was surely swept away in the rushing, swirling water.
It broke like a tsunami, taking the bridge, and the people that had been standing on the bank.
Taking the gorgonzola cheese and the silk kimono costume, that only hours before had hung in a magnificent spectacle of red and gold flutter, from the flagpole of the old Japanese man.
He lived like a hermit at the top of the village.
The dog always frolicked in the river, he roamed freely about the village.
One wonders now who sabotaged the banks, the way they crumbled in a magnificent, grumbling disintegration.
The Japanese, as we all called him, had he been there earlier?
Eccentric he may be, but subversive as a stitch on his own kimono? Never.
Now I look back on the day, I think what colour were his shoes - and the answer? They were yellow as jelly on a hot July, so this leads me to believe the dog survived to tell another barking tale in a different village further down the valley. Because that dog, I know, hated yellow and would jump over a tiger to avoid having to inculcate a yellow gospel in to his doggy, dogeared life.
It's surely a miracle that the water did eventually evaporate completely leaving a turquoise, vinelike serpentine long gorge, dry and completely without passion. What can a dry, stony river bed inspire?
Not even a dog, who can bark now his own question: Where is the sedge?
24 September 2012 V Rule
What happened to the dog - he was surely swept away in the rushing, swirling water.
It broke like a tsunami, taking the bridge, and the people that had been standing on the bank.
Taking the gorgonzola cheese and the silk kimono costume, that only hours before had hung in a magnificent spectacle of red and gold flutter, from the flagpole of the old Japanese man.
He lived like a hermit at the top of the village.
The dog always frolicked in the river, he roamed freely about the village.
One wonders now who sabotaged the banks, the way they crumbled in a magnificent, grumbling disintegration.
The Japanese, as we all called him, had he been there earlier?
Eccentric he may be, but subversive as a stitch on his own kimono? Never.
Now I look back on the day, I think what colour were his shoes - and the answer? They were yellow as jelly on a hot July, so this leads me to believe the dog survived to tell another barking tale in a different village further down the valley. Because that dog, I know, hated yellow and would jump over a tiger to avoid having to inculcate a yellow gospel in to his doggy, dogeared life.
It's surely a miracle that the water did eventually evaporate completely leaving a turquoise, vinelike serpentine long gorge, dry and completely without passion. What can a dry, stony river bed inspire?
Not even a dog, who can bark now his own question: Where is the sedge?
24 September 2012 V Rule
The copyright of this post belongs to Valerie Rule
Monday, 8 October 2012
Everything
Everything
Dappling
a rich tapestry of verdant texture,
The
earth has yielded all its fruit,
Tangerine.
Through
the filigree gates of memory,
Recognising
us as mortals,
Under,
over, weaving, winding,
Across
Bavarian hills the wind
Cleanses.
An
iron bell peals,
Dances
her into rebirth,
Uncorseted
from 'a promising future'
Henrietta's
thoughts are stippled with
Moonshade.
She
trembles in the palm of God's hand,
In
the communion of now,
The
blue orchids brighten
Everything.
©
Gabrielle Goldsmith 2012
Whatever Happened to Jojo?
An
excerpt from 'Whatever happened to Jojo?’
Georgina's
Grandfather has died suddenly not long after her Grandmother passed
away.
Where
it begins? Is this where it begins was the thought wandering in from
the wilderness of her subconscious. Georgina lay on the bed in the
room, her favourite room in her grandparents' house. Their house?
Not anymore!
Another
unkind thought pricking her conscience. The shock of her Granddad's
death only weeks, count them, after his wife regained ground in the
garden of her grief. Big fat tears recommenced rolling down,
stippling, deepening the dark circles beneath Georgina's unblinking
eyes. Unfocused, her sadness was as an overfull bladder, ready to
make serious mischief.
So
this is where it begins. Georgina heard the peal of adulthood. Now
that the senior members had exited, was it her turn to strut the
stage? She closed her tears off. A clock ticked somewhere nearby.
On opening her eyes again, she found communion with her favourite
picture - a large black and white portrait of Jojo.
Jojo
stared accusingly at her niece from the wall across the bedroom, as
if to say,
'Well,
what are you waiting for?'...
The copyright of this post belongs to Gabrielle Goldsmith
Wednesday, 3 October 2012
Whatever Happened to Jojo
Fragments of ‘Whatever
happened to Jojo’
Georgina is 19 and in
her parent’s kitchen
It
was a miracle that it had set. Georgina would be the first to admit
that her culinary skills had not been the best in her home economics
classes. She had dropped those as soon as! She praised the scudding
heavens outside her Mother’s kitchen like a gentle pilgrim might do
on sighting sanctuary.
Outside
in the garden, a teatime breeze sang the gospel along the serpentine,
ribbonesque vines. Vines! In the North East! What was Dad thinking
of? They were gently withering from a combination of an inclement
climate and neglect.
The
sound of a spanner falling echoed from the garage through the open
window. Just like Dad to jump from one passion to another, Georgina
thought, like a tiger moves in turbulent silence from prey to rest to
prey. She smiled at his latest obsession. The smell of yellow
wafted, inculcated and evaporated. A grain of happiness ran through
her. She turned back to her creation. ‘Now, will they like
turquoise jelly?’
***
Half
an hour later and their tea was all ready. Sandwiches, scones, an
apple pie just out of the oven, jam, cream and custard, and that
jelly. Georgina looked at the golden bowl of custard. A peculiar
thought held her a moment – what does yellow smell like? Like my
glory hours perhaps? Those that begin after dark and continue on
into the perfect splendour of the fridge of night.
Her
little cousin Charlotte wandered into the kitchen and promptly stole
out with the jelly. ‘Hey, Charlie’ shouted Georgie. Is theft
everywhere she wondered? (Little Charlotte, who would forever wear
the splendid halo of beauty and would never know whom she should not
trust.) ‘What fruit did you use to make the jelly Georgie?’
cooed Charlotte from the lounge, ‘everyone wants to know.’
Georgina
brushed castor sugar off her hands, sung to the stones in her head
and sidled up behind Charlotte. She placed her hands
conspiratorially on the younger girl’s shoulders, crouching down
close to her. ‘Well, I think it was fruit that had been kissed by
the blue fairies, my pet,’ Georgina winked at her Father, now
sitting near the fire.
Charlotte
giggled. Her laughter was infectious. It traversed the room, a
filigree of renewal, touching everyone.
Georgina
is 6 and on a trip with her Uncle Jimmy
The
week after the stupendous trip to the toyshop, Georgina’s Uncle
took her surreptitiously (without her Aunt’s or Mum’s permission,
so he had said) to a place full of his passion. The shop window in
front of them was piled high and wide with it, gleaming. Inside, the
place was teaming with it and with people interested in it, she
assumed. Stalls and cabinets packed to, packed with, what would
Uncle say? Packed to the rafters! That’s what it was like.
From
behind the stools of legs, Georgie squeezed her head here, poked her
nose through there, seeing the adults everywhere lost in examination
of it, standing, sitting, stooping. ‘Georgie,’ her Uncle’s
voice called over the hum of conversation. She stole through the
forest of people, slinked this way, sashayed that, and slithered over
to where he was beckoning – his crooked finger a sanctuary of
expectation.
He
was holding something in his hand - a sliver of delight to her big
eyes. ‘What is it Uncle Jimmy?’ She whispered, subdued by the
shining object.
‘It’s
a brooch my lamb, a silver brooch, can you see what it written on
it?’ He held it out to her. The brooch shimmered with magic when
she touched it. Letters were picked out in a sparkling blue colour
along its length. Georgie spelt them out, her face breaking into a
big smile.
‘G..E..O..R..G..I..N..A!’
***
The copyright of this post belongs to Gabrielle Goldsmith
Beneath the Daylight Moon
When does he sleep?
Still oddly visible the daffodils flutter at the edge of sight. He has knocked the nests from the trees, eaten his feast of small birds and left the puzzle of their bones to stitch the breech. Now is the sanctuary evaporate. In the gusty half-light of his mind he sees his mate vining the ribbon of her path towards him in ivy and bindweed. The slatey smell of blackberries in the rain makes him suddenly gentle. Across the field a cow lows for her lost calf, the church bell clangs its iron call and the moon hangs like a turquoise thumbnail in the sky. He is almost spent. He counts up what is missing: a gospel spanner, turbulence and song. The words lie on his tongue like jelly and melt. Once in a blue moon he succumbs to his mate's embrace, sings to the stones and the air, and then, sated with glory, he finds the time to lay his great head upon the earth's bed, and sleep.
The copyright of this post belongs to Claire Steele
Still oddly visible the daffodils flutter at the edge of sight. He has knocked the nests from the trees, eaten his feast of small birds and left the puzzle of their bones to stitch the breech. Now is the sanctuary evaporate. In the gusty half-light of his mind he sees his mate vining the ribbon of her path towards him in ivy and bindweed. The slatey smell of blackberries in the rain makes him suddenly gentle. Across the field a cow lows for her lost calf, the church bell clangs its iron call and the moon hangs like a turquoise thumbnail in the sky. He is almost spent. He counts up what is missing: a gospel spanner, turbulence and song. The words lie on his tongue like jelly and melt. Once in a blue moon he succumbs to his mate's embrace, sings to the stones and the air, and then, sated with glory, he finds the time to lay his great head upon the earth's bed, and sleep.
The copyright of this post belongs to Claire Steele
Rosemary for Remembrance
Ruffled
and flushed in the roselight of dawn, we lie welded together like a
runcible spoon. We have dabbled in the honey of each other’s
hearts, ridden the serpentine waves of the rollercoaster of rude
emotion, raw and unfiltered; we have ribboned our bodies together and
now, sated with glory, we lie curved in a snicket of sunlight,
resolute that this will not recur. There will be no renewal; we
renounce this romance. Until tomorrow.
The copyright of this post belongs to Jill Glenn
The Power of Thirteen
The
yellow canvas blind, unfurled across the window as a surety against
the threat in the sky, delivers – courtesy of the little bruised
light remaining – the impression of sunshine. It is as thin as a
caress. It doesn’t fool him. He counts from ten to one,
backwards, in little staccato gasps. What does it mean? What does
it mean?
The
spit spot spit of the rain on the roof takes him into the
undercurrent of misremembered time. He was a child in this luscious
storm. Yesterday, was it, or tomorrow? He was a child in rubber
boots, with water lapping around his feet and a wave of uncertainty
cold in his head. Was. Is. Will be.
He
waits for yesterday to begin and tomorrow to end. The architecture
of everyday escapes him. In the darkness he recognises the rough nap
of velvet, the hot smell of a bulb through ripped paper. Here is a
cushion and there is a lampshade. These are the things he knows.
The lamplight hurts his eyes and the shadows on the walls leer at him
whichever way he turns.
The copyright of this post belongs to Jill Glenn
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